上原ひろみ THE TRIO PROJECT Beethoven’s Piano Sonata No.8 Patnetique
東京JAZZ２０１１より 「ベートーベン ピアノソナタ第８番「悲愴」第２楽章」
上原ひろみ、Anthony Jackson、Simon Phillips
Alex Chadwick plays 100 famous guitar riffs in one take giving you a chronological history of rock n’ roll. See the full detailed list of all the artists, keys, and year of each song played in the 100 riffs: chicagomusicexchange.com/100riffs
“ Because proteins are important. Proteins are the machines that carry out the directions of genes. They must be formed at a certain moment and destroyed when they are no longer needed, or when they go bad. Think of a cell as something like an orchestra, with thousands of players. These are the proteins. They must all work together in harmony and play their parts at the right moment. ”
Dr. Avram Hershko, 74, a biochemist at the Technion-Israel Institute of Technology in Haifa and a winner of the 2004 Nobel Prize in Chemistry, in The Body’s Protein Cleaning Machine By CLAUDIA DREIFUS (NYT)
Portrait of Max Roach, Three Deuces, New York, N.Y., ca. Oct. 1947
Gottlieb, William P., 1917-, photographer.
Rights Info: Mr. Gottlieb has dedicated these works to the public domain, but rights of privacy and publicity may apply. lcweb2.loc.gov/diglib/ihas/html/gottlieb/gottlieb-copyrig…
Repository: (negative) Library of Congress, Prints & Photographs Division, Washington D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print(reference print) Library of Congress, Music Division, Washington D.C. 20540 USA, loc.gov/rr/perform/
Part Of: William P. Gottlieb Collection (DLC) 99-401005
Simple, effective graphic for WSJ article “Anatomy of a Tear-Jerker”.
The Wall Street Journal (illustration) Associated Press (photo); Universal Music Publishing (score)
“ Paul was one of a kind: a musicians’ drummer who thought about the music, not just the rhythm, and cast his own sound on everything he played. But he could play anything, and with anybody. He was committed to his work, and didn’t stop learning as he grew older. When he wanted to start writing music, he learned how to write. Once, while playing at the Vanguard, I heard a crash, looked up, and Paul wasn’t there at his drums. But coming from behind his drums was his arm, reaching for the cymbals so he wouldn’t miss a beat. He had fallen off the drum stool in his musical excitement, but never stopped playing. ”
Keith Jarrett, quoted in Paul Motian Dies at 80 (Jazztimes.com)
“ Paul Motian, the legendary drummer whose shadowy, ethereal playing was one of the most singular and identifiable styles in all of jazz, died at 4:52 a.m. in New York City, as confirmed by a representative from ECM Records. He was 80; a cause of death has not been disclosed. ”
“ If you start taking yourself too seriously it’s not good for the creative process. I always believed that music should speak for itself, that people shouldn’t see us as heroes, that our fans shouldn’t concentrate on us, that they shouldn’t try to feed our egos. Once your ego gets in the way, it is much more difficult to feel music. ”
Maynard James Keenan, Tool
(Source: nyrock.com)
